Writes Michel in her Artist Statement, “The 1282 inhabitants of Uummannaq are essentially hunters and fishermen. The island hides many treasures: a marble quarry, mummies from an ancient civilization, or Santa’s home. Not far from a hut made of peat, the cave shelters outcast and lonesome souls. Myths and legends are numerous. The lifestyle is still traditional but the magic of the landscape is now affected by modern infrastructures: a gas station, an industrial area, a fish factory.”
“Change is happening: the climate is changing, the ice floe is unstable, cruse ships are appearing, westernization is progressing, and pollution is increasing with the import of ‘modern products.’ In town, the waste is burnt in the open air, as there is no waste facility. Regionalization and globalization are settling down. Doors of houses are slowly closing down. Hunters still imitate the sound of birds to lead the wolves forward, but the ice is too fragile. The Last Men is an odd tale, a poetic document about disappearance.”
All images © Camille Michel
Each week, Feature Shoot editors showcase the work of one photographer who has applied to the Emerging Photography Awards in order to highlight the diverse array of applications we receive. This is not an endorsement of the photographer for the award.
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